77 file audio bebas royalti untuk "No Access"

A one-take recording of someone trying to do a dutch approximation for a suspenseful audio drama, i tried to clean it up as best i could and final form will be cleaned up/lower volume/panned out to sides. The only microphone i had access to was a sansa zipclip mp3 player. Apparently this is german!.

First unlocking the keypad, then going through the menus on the lg 328bg smartphone with big buttons and menu readout speech activated. Finally, exiting the menu back to home screen.

An atmospheric and mostly mellow walking recording in lower east side, nyc. There are many metal access doors to the streetside businesses that are built into the sidewalk and that is the banging that you hear as people walk over them. Clips also has a few snips in it.

This is a sound effect i created using bfxr. I made it to sound as if you are activating something/pressing a button onboard a spaceship. This sound can also be associated with "access denied". You don't need to credit me. You can download it as needed. You can support me by donating to my ko-fi page: https://ko-fi. Com/staycalm182.

I was waiting for a person inside the conservatory of venice and i decided to try some field (or better room) recordings. There were two chinese students talking to each other, some passerbys, an elevator and people reharsing and studying music. Recorded with a zoom h1, low cut in audacity.

The sound of the locker of esmuc.

I had no part in producing this sound. A girl entered a vehicle and masturbated herself to climax. The story i heard was a lark on a dare, in broad daylight on a sanitized shift knob. The really interesting part was, it wasn't a car owned by either of the girls involved, the darer or the dared, and in fact the owner would have been very upset. If he'd known. I guess she did have access to the keys.

Short transition with metal stab.

Just a kick drum.

Not gonna explain about this one much. Basicly i just made a simple patch on my virus c hardware synth which consists of 2 osc's (sine / saw), osc2 slightly detuned from the osc1. Fast pitch envelope on both osc's to get the "punch" part in the kick. Ran through virus's lowpass/bandpass filters, lowpass cutting from 100% to 0% with a speed of 1/4 beats to get a "filtering down" effect to the kick, bandpass rejecting slightly frequencies from a range of 400-600hz. Then i sampled it, many times and picked the best sample. Eq->distort->eq->distort million times and this is the result. Ofc i did some cutting and added some lowpass/bandpass filters with various mix levels @ some points and did some other shit also but basicly it's just eq & distort. Hf, its a decent kick but needs some fixing still since the punch is too separate from the bass.

Error beep from the colorino talking color identifier and light probe, a pocket sized 2-in-1 unit, which is a color identifier/light detector for the blind and colorblind. This happens when the detector is not flush with the object you're trying to read the color from, so it lets in too much external light. Recorded from line-in on my desktop.

Download the full pack here : https://goo. Gl/zkrzqr. This sample is from the prism modern pop drums library. Prism’s revolutionary interface gives musicians and music producers the power of incredible electronic percussion performance on their own terms. Easy access to a virtual endless array of drum options means you’ll spend less time searching for sounds and more time making the most of your music.

I use a screenreader, nvda. I decided to set it to the eti eloquence speech synthesizer and put the voice on the french voice. I then set the inflection to 50 and typed the letters "r" and "h" over and over to make it sound funny when it tries to read it. The first part is the normal voice, the second part i applied ring modulation with lots of lfo effect.

Short recording of me walking to the roof of a warehouse near the los angeles area. You can hear the wind and my foot steps on the the steel roof access staircase. Once on the roof we hear a turbine vent squeaking and an aircraft flying overhead, as police sirens pass by. Please feel free to use this sound, if possible let me know where this sound is used, i'm just curious to know.

A car engine startup recording with lom (slovakian microphone manufacturers) omnidirectional microphone ("ucho"). If by chance i gain access to stereo diaphragm mikes of good quality, the re-take of this will be of higher quality. I intended to use this for gta sound modding and for general car ignition noises. For anyone curious, this is a second-hand honda accord (2006) saloon's engine revving, the person revving this vehicle is one of my friends starting it up who i asked kindly if i could record it.

I placed about 200 small brass ball-bearings (2mm diameter)on to a "half-life analogy apparatus" (which i have access to but i've never see the like using a google search. Basically its a titled wooden box with holes. The ball bearings roll down some of which fall through the holes and are collected in a beaker. The remainder are collected at the end of chute. Anyway, i just like the sound and hope someone can make use of it !i used a zealsound microphone and recorded directly into my laptop using audacity. The sound is as recorded.

Night-time wide angle stereo recording of manhattan, as heard from across the east river, the recorder was kindly allowed access to the veranda of the riverview restaurant & lounge in long island city and is facing the manhattan skyline. Some noises of the restaurant can be heard in the background, very subdued, the quiet lapping of the east river can be heard in the foreground, and manhattan bustle and traffic on the fdr drive is in the wide range. Recorded in march 2012 with a zoom h2, mics set to 90° dispersion.

Raw sample of isolated drum sound without any alteration nor normalization.

Acc being thrown in water: this is a multi-purpose sound. Created by throwing an acc tablet into water, clear bubbles can be heard. A strong fizzing sound is very prominent. It sounds like champagne being poured if you would listen to it closely, or a fizzy drink, even champagne. The bubbly sound of this effect gives it it's character. Recorded with the zoom h6, rode ntg.

Heavily processed kick drums. Source - kick samples from analog drum machines and synthesizer like nord modular, quasimidi technox, acces virus t, roland tr-909.

I do this all the time on accordion (press a few random buttons) to get the bellows closed (while practicing); much faster than with the air button.

Here a sound of a laser gun!i made this with my acces virus!and some eqing and layering!. Leave a comment!.

Here a cinematic drone passage!i made it in logic with my acces virus and some abstract plugins.

Chant de féticheur Lari accompagné au nsambi (pluriac) ; recueilli et enregistré par H. Pepper ; chant d'homme et acc. de nsambi (pluriarc)

Chants de féticheur du Moyen-Congo ; recueillis et enregistrés par H. Pepper ; chant d'homme et acc. de nsambi (pluriarc)

This is my recreation of the noise in the background of a video shot on a consumer grade minidv camcorder (a well used one). I haven't had a minidv camcorder on hand for a few years and nobody i knew would give me a recording of just tape motor noise so i went to create the noise myself. This sound is a combination of a very badly pressed dvd in my computer's drive mixed with a tone made in audacity (up one octave from the tone that the disc ended up creating), all mixed down and brought down in volume. I know it's not a prefect recreation, but i don't have a minidv camcorder on hand so this is about as good as i can get it. If anyone has access to an anechoic chamber, a fresh tape, and a well used consumer grade minidv camcorder, please get in touch with me. I'd like the real deal better than my recreation that i did in my spare time. Note on recreating the noise out of hdv camcorders. They have slightly different hardware and as such will create different bearing noise (most times, there's an extra whine on top of the familiar bearing whine heard from standard dv camcorders). I forget the exact frequency, but it's somewhere in the neighborhood of 840hz-860hz and it's a sort of sine wave, but a modest bit more jagged. You'll have to provide your own stock camcorder mic hiss as each camcorder is different (not for definite sure on sony camcorders, but canon camcorders have a pink-ish white noise in about that era).

This is the audible annunciation found at all intersections with traffic lights in paris, france. It announces the condition of the traffic lights for pedestrians who are blind or with impaired vision. The annunciation is turned on by pressing a button on the traffic light pole. When the crosswalk sign is red (do not cross), the recorded annunciation is always "rouge piéton" ("red light, pedestrian"), followed by the name of the street that the crosswalk crosses (in this case "rue d'antin," the quiet side street where i recorded this). This repeats over and over until the crosswalk changes to green, at which point there is a two-second trill tone followed by a repeating bell tone. The bell tone is one bell, followed by two bells, repeated four times, followed by a very brief pause, and then the sequence is repeated again. This continues until the crosswalk changes back to red, at which point the "rouge piéton" message resumes. The annunciation continues for at least one cycle of the traffic lights and then stops, unless the button is pressed again. The audio quality of the annunciation is very poor even in real life (it sounds like a wax cylinder recording or something), and can be difficult to understand. This recording accurately captures the poor quality of the annunciation. The volume of the annunciation is also adjusted dynamically based on ambient noise, so there is a slight change in volume on this recording as the system apparently reacts to noise from traffic or something. There is a weak background noise that sounds like some sort of machine, but it wasn't coming from the traffic light and i don't know the source. The recording starts with the crosswalk red, then at about 18. 3 seconds it changes to green, then it changes back to red at about 53 seconds. A car passes at around 48 seconds. Recorded with a zoom h4n, stereo 96 khz / 24 bits, built-in mics, from about ten inches below the tiny speaker in the crosswalk sign housing.